6/12/2024
https://jyado.blogspot.com/2024/06/createlol.html
今更、シュークリーム食いまくっても太るだけなわけで…
Murder charge in stabbing death of Japanese chef in Vancouver
Police say an arrest was made in the Downtown Eastside on Monday
CBC News · Posted: Jun 12, 2024 3:48 PM EDT | Last Updated: June 12
Police say a 32-year-old man has been arrested and charged with second-degree murder after the stabbing death of a Japanese citizen in Vancouver's Chinatown last week.
Wataru Kakiuchi, also 32, was found injured on June 5 near Union and Main streets just before 3:30 a.m. and died before he could be taken to hospital, police said.
The response to the local chef's death was swift, with Mayor Ken Sim calling it a "senseless act of violence."
On Wednesday, the Vancouver Police Department (VPD) announced that after a "round the clock" investigation, officers arrested Timothy Isborn in the Downtown Eastside on Monday afternoon and that the B.C. Prosecution Service has approved one count of second-degree murder.
"This was absolutely the highest priority for us," VPD Sgt. Steve Addison said in a news conference Wednesday afternoon.
https://www.cbc.ca/news/canada/british-columbia/wataru-kakiuchi-death-chinatown-charges-laid-1.7232890
➡a "round the clock" investigation
2022年3月6日日曜日
トーマス・ジェローム・ニュートンこと『地球に落ちて来た男』The Man Who Fell to EarthとLazarus
Bill Haley & His Comets were an American rock and roll band, founded in 1952 and continued until Haley's death in 1981. The band was also known as Bill Haley and the Comets and Bill Haley's Comets (and variations thereof). From late 1954 to late 1956, the group placed nine singles in the Top 20, one of those a number one and three more in the Top Ten. The single "Rock Around the Clock" became the biggest selling rock and roll single in the history of the genre and retained that position for some years.[1]
Lazarus is a musical with music and lyrics composed by David Bowie, and a book written by Enda Walsh. First performed at the end of 2015, it was one of the last works Bowie completed before his death on 10 January 2016. The musical is inspired by the 1963 novel The Man Who Fell to Earth by Walter Tevis. Bowie previously starred in the 1976 film adaptation of the same name, directed by Nicolas Roeg.
2015年1月3日土曜日
昔、バイクでひゃっはー！とトラックと正面衝突して★になった香港警察のトップの息子とか、散弾銃と自分の頭をぶち抜いたイケメンオランダ人とかおいらのバンドのドラムの話を書いたような記憶があるのだが・・・（爆ｗｗｗｗｗｗｗｗｗｗｗ
まあ後は…
2018/01/29 — マタイによる福音書によれば、博士たちは星の出現に霊感を受けて「東方」からエルサレムまで旅をした。 ISTI MIRANT STELLA.https://tokumei10.blogspot.com/2022/03/the-man-who-fell-to-earthlazarus.html
➡Lazarus
88億円の観光施設に反対署名5900人分 財政不安訴え 福岡・大川6/14/2024
マキマ系秘術「Ninja Warrior」。LoL
On 10 June 2024, a Malawi Defence Force Dornier 228 carrying Vice-President of Malawi Saulos Chilima and eight other occupants crashed in Chikangawa Forest Reserve in Mzimba District, killing all on board.
The aircraft involved was a Dornier 228 which belonged to the Malawi Army Air Wing of the Malawi Defence Force. It had previously been used to transport President Lazarus Chakwera several times and had conducted its previous flight hours before the crash.[1]https://jyado.blogspot.com/2024/06/ninja-warriorlol.html
2024年6月13日 17時42分
https://news.livedoor.com/article/detail/26594157/
2016年1月11日月曜日
栗すたるジャパン
The official music video for "Lazarus", featuring a shorter edit of the song lasting just over four minutes, was uploaded on 7 January 2016 to Bowie's Vevo channel on YouTube.[3] The video was directed by Johan Renck, who also directed the music video for Bowie's previous single, "Blackstar". The video is shown in a 4:3 ratio and prominently features Bowie lying on a deathbed.[4]For David Bowie, Japanese style was more than just fashion
by Helene M. Thian
Special To The Japan Times
Jun 11, 2013
LONDON – The Victoria and Albert Museum in London has scored a victory with its exhibition “David Bowie is…” for elucidating what many have probably always suspected: David Bowie is a bit of a Japanophile.
From the kabuki-inspired costumes for Bowie’s early 1970s alien stage character, the famed Ziggy Stardust, to a page of notes mentioning a Japanese restaurant and hotel as sets for Nicolas Roeg’s 1976 film “The Man Who Fell to Earth,” in which Bowie played the role of yet another alien named Jerome Newton, there is no shortage of evidence of Japanese associations in Bowie’s artistry.
Having shared with the museum aspects of my research on the influence of Japonism on Bowie’s stage costuming, and participated in the museum’s Bowie Weekender of events in April as well as lecturing at the first Bowie Symposium last October at the University of Limerick in Ireland, I entered the V&A’s exhibition space two months ago and came face to face with “Tokyo Pop Jumpsuit” designed by Kansai Yamamoto. The zig-zag-stitched Ziggy Stardust jumpsuit is a “tear-away” costume as is much kabuki theater wear. And this story of Bowie’s “turning Japanese” continues throughout the exhibition.
Bowie’s private self-exile of sorts, shying away from the public eye for the past 10 years after a heart attack in 2003, ended this year on Jan. 8, his birthday, with the release of a new album “The Next Day.” It was then followed by the V&A’s blockbuster exhibition, which, though running until Aug. 11, has long sold out of tickets online, with only a limited number available at the door each morning.
A Japanese proverb says, “Speech is silver but silence is golden.” Bowie may have adopted the pose of the silent type for the past decade, but the V&A, in tandem with the Bowie Archive, has put the spotlight on his many golden years of creativity and given quite a voice to the gestalt of his artistic accomplishments. Geoff Marsh, V&A theater and performance department director and Bowie exhibition curator, has stated that the Bowie Archive stewards some 75,000 objects. Providing “unprecedented access” to the V&A, the archive made available items including Bowie’s costuming, handwritten lyrics and even a lipstick-stained tissue from a makeup session.
Bowie’s initial foray into the world of Japan began in the mid-1960s, when he encountered the flamboyant, openly homosexual performance artist Lindsay Kemp, who was teaching dance and mime with a Japanese twist to students at the London Dance Center. In a documentary aired last year on BBC 4, Kemp discussed how Japan influenced his art and Bowie’s performances. And in a recent interview, Kemp told me that the music of Japanese composer Toru Takemitsu featured in his classes at the time Bowie was a student of his, and that he educated Bowie about Japanese theater conventions using books on noh and kabuki — all of which intrigued the budding rocker.
Bowie was, in 1967, devoted to Tibetan Buddhism and seriously considering becoming a monk due to time spent at Samye Ling monastery in Dumfriesshire, Scotland. The androgynous rocker himself has acknowledged that encountering Lindsay Kemp was a turning point in the life of David Jones who had changed his name to David Bowie in 1965. Kemp’s outre style rife with androgynous characterizations was the catalyst for the singer, who caught a glimpse of his life as a performance artist as opposed to a monk living in quiet contemplation.
Bowie’s association with Kemp, who himself enthusiastically acknowledges the influence of Teinosuke Kinugasa’s silent film “A Page of Madness” (1926) on his own work, preceded the rocker’s collaboration in the early 1970s with Tokyo fashion designer Kansai Yamamoto. Yamamoto was the first Japanese designer to present a fashion show overseas — complete with models doing kabuki-inspired moves — in May of 1971 at the Great Gear Trading Company on the King’s Road in London. Impressed by the show, Bowie reached out to the designer through stylist Yasuko Takahashi, requesting that Yamamoto design his 1973 U.K. tour costuming, and subsequently the U.S. tour costuming for the Aladdin Sane shows.
Working as a fashion journalist for some time and married to an executive with Kansai’s company, I became well acquainted with Kansai and assisted him on site at his 1990 Paris Collection. The V&A exhibition has further energized the designer’s career as he approaches the age of 70. Fashion magazine Arena Homme’s fall/winter 2012 issue, for example, was devoted entirely to the theme of David Bowie and featured a two-page spread of male models wearing Kansai Yamamoto vests printed with kanji harkening back to his ’70s designs for Bowie.
Costuming by Kansai in the V&A retrospective of Bowie’s career reflects the postwar period of rapprochement between Japan and the West. “Space Samurai” is a satin-and-sequin jumpsuit complete with hakama, the split-skirt associated more with martial arts practitioners than rock stars. The wearing of exotic, spacey, Japan-inspired outfits by Bowie-as-alien Ziggy Stardust put Japonism center stage in the fashion scene of the West, placing a seal of approval on inspirations from Japan, which in the early ’70s was still considered an indecipherable, alien nation.
The kanji on the white cape used by Bowie for kabuki -style quick on-stage changes of costume actually spell out “David Bowie” phonetically and loosely translates as, “Fiery vomiting and venting in a menacing manner.” T-shirts printed with Japanese characters are commonplace now, but in 1973 kanji on such a garment symbolized that the Japanese aesthetic had officially debuted in the West by way of Bowie. Wearing such costuming, Bowie unwittingly became a symbolic representative of popular culture’s new world order in a postmodern world, which had oriented toward a bricolage-based dress aesthetic.
A knitted, one-armed and one-legged bodysuit oddly resembles the patterning of a yakuza tattoo, and interestingly Kansai appeared in a 1971 issue of U.K. Vogue, just prior to the time he created this outfit for Bowie, wearing a fundoshi (loincloth) with his body painted in jacket-tattoo style. In actuality, however, it was kimono textile patterns that provided the inspiration for the ensemble. The addition by Bowie of a feather boa, as inspired by Kemp’s costuming, creates the androgynous look with which he was then synonymous. Patterns for this knitted jumpsuit were widely published in magazines such as Elle France.
Bowie’s androgynous look paid homage to onnagata, the male actors who specialize in playing women’s roles in kabuki. It was in fact Tamasaburo Bando V, the famed onnagata, who taught Bowie how to apply kabuki makeup. Bowie wore a “shortie kimono” with matching silky boots, his makeup was onnagata-inspired, and his celebrated hairstyle, as created by Yamamoto, was electric red in color, imitating the look of a flaming red-lion dance wig of kabuki theater. As Bowie’s lyrics to the song “Ziggy Stardust” describe it, the alien rocker was “like some cat from Japan.”
“David Bowie is…” is a show for his fans but it’s also one for Japanophiles, including Bowie himself.
http://www.japantimes.co.jp/life/2013/06/11/style/for-david-bowie-japanese-style-was-more-than-just-fashion/#.VpOPXVIxOUkhttps://tokumei10.blogspot.com/2016/01/blog-post_63.html
4/25/2024
Ziggy plays Guitar, He plays it Right Hand, He is a cat from Japan, Not as well hung with a slight tan. He plays Time and he's a God-given asshole, but kids can not kill him.
Ziggy Stardust
Oh. Oh, yeah
Ziggy played guitar
Jamming good with Weird and Gilly
And the Spiders from MarsHe played it left hand
But made it too far
Became the special man
Then we were Ziggy's band
Ziggy really sang
Screwed-up eyes and screwed-down hairdo
Like some cat from Japan
He could lick 'em by smiling
He could leave 'em to hang
He came on so loaded, manWell hung and snow white tan
So where were the spiders
While the fly tried to break our balls?
Just the beer light to guide us
So we bitched about his fans
And should we crush his sweet hands? Oh
Ziggy played for time
Jiving us that we were voodoo
The kids were just crass
He was the nazz
With God-given ass
He took it all too far
But boy, could he play guitar
Making love with his ego
Ziggy sucked up into his mind, ah
Like a leper messiah
When the kids had killed the man
I had to break up the band
Oh, yeah
Ooh
Ziggy played guitarhttps://jyado.blogspot.com/2024/04/ziggy-plays-guitar-he-plays-it-right.html
2022年1月16日日曜日
https://tokumei10.blogspot.com/2022/01/blog-post_16.html
4/17/2024
贖罪の時間だゾ☆ 今回、十字架にかかるのは神の子ではなく数十億人の地球のTOC認定済侵略的宇宙知的生命体の諸君、君たちだ！
https://jyado.blogspot.com/2024/04/toc_17.htmlもう数十億人のIdol Worshippersの魂は既に…
LoLLoLLoLLoLLoLLoLLoLLoLLoLLoLLoLLoLLoLLoLLoLLoLLoLLoL
気の所為でしょうかね。最近、職場の雑魚勇者の皆様のオーラが薄くなってきているような気がします。
返信削除>Mayor Ken Sim
返信削除ダッフンダww
お灸を据えるwwwww
返信削除ゴーレムエンキドゥ
返信削除その大量の釘 確かニンゲンを入れてサンドイッチするものもありましたな 神話でしたっけ？
返信削除